• Get involved.
    We want your input!
    Apply for Membership and join the conversations about everything related to broadcasting.

    After we receive your registration, a moderator will review it. After your registration is approved, you will be permitted to post.
    If you use a disposable or false email address, your registration will be rejected.

    After your membership is approved, please take a minute to tell us a little bit about yourself.
    https://www.radiodiscussions.com/forums/introduce-yourself.1088/

    Thanks in advance and have fun!
    RadioDiscussions Administrators

KMET is back !!??????

OC Radio Geek said:
Robnoxious said:
Put Dr. D on the payroll KSWD.

That one hour was far too short.

I know man....they should totally hire him for Sunday nights!!!!

If you want to read something sad, read his bio on thesoundla.com/kmet page (I think the info was culled from Wiki). Dr. D is down to a scant 7 stations nationally and lost barter agreements so the Good Doctor is keeping most of everything afloat from his own pocket but still does what he loves, all the while not having his biggest loyal fan base able to hear him in Los Angeles. The Funny 5 is only done ONCE A MONTH now! :(

If Dr. D were given even just 2 hours every Sunday on The Sound, I'd be there rolling tape just like I did when I was 13. Dr. D IS Los Angeles, the land of fruits and nuts. I refuse to accept that Dr. D's time has passed on the radio waves. Everyone needs a bit of nonsense and laughter. It's cathartic.
 
so has KSWD officially put themselves off the chopping block with this excellent move? or is it still in trouble, regardless?
 
musicfan101 said:
so has KSWD officially put themselves off the chopping block with this excellent move? or is it still in trouble, regardless?
The next time they play The Logical Song by Supertramp (I'm guessing about 12:30p Monday) they'll be back in cardiac arrest.

The KMET Flashback was great but I don't see them learning from any of this and will go back to the same ol doldrums. I hope I'm wrong but I'm pretty confident I'm not.
 
With a nearly 4 hour Bruce Springsteen concert over, Finally a KMET Friday is now over. Great job all.

Super big thumbs up to the Sound. They have come in for their share of criticism from me and others in this space over the last year, but they hit this one out of the park. This is a radio day I will remember forever. Decades from now, I'll remember the day they "Brought KMET back". When radio has an event that you will remember that long, that is radio at its best.
 
Robnoxious said:
musicfan101 said:
so has KSWD officially put themselves off the chopping block with this excellent move? or is it still in trouble, regardless?
The next time they play The Logical Song by Supertramp (I'm guessing about 12:30p Monday) they'll be back in cardiac arrest.

The KMET Flashback was great but I don't see them learning from any of this and will go back to the same ol doldrums. I hope I'm wrong but I'm pretty confident I'm not.
hopefully bonneville, will realize what they have now is nothing, and just bring back KMET, and all classic rock, so we could see the return of fm talk at 95.5..yeah! nah, i'm just fantasizing again lol
 
ChannelFlipper said:
With a nearly 4 hour Bruce Springsteen concert over, Finally a KMET Friday is now over. Great job all.

Super big thumbs up to the Sound. They have come in for their share of criticism from me and others in this space over the last year, but they hit this one out of the park. This is a radio day I will remember forever. Decades from now, I'll remember the day they "Brought KMET back". When radio has an event that you will remember that long, that is radio at its best.
It was a one day thing sadly. But now it's back to criticizing how lousy The Sound is...
 
musicfan101 said:
hopefully bonneville, will realize what they have now is nothing, and just bring back KMET, and all classic rock, so we could see the return of fm talk at 95.5..yeah! nah, i'm just fantasizing again lol

LOL, I don't think the "Free the KMET 4" Mantra meant to free them of gainful employment. :D

As a side note, Jim Ladd mentioned nothing of today on his shift. They really are bound and gagged at Citadel! A buddy of mine proudly wearing his TEMK tee-shirt got through to the request line (requested an obscure Styx song whose title escapes me--- it wasn't played) and asked for the release of the KMET 4. He asked if Jim would respond to the KMET reunion going on without him and the response was... "Tune in Monday, to hear what he says" ::)

It's sad that Ladd has become the corporate tool he once despised. At least he's getting paid. A little piece of me died inside just now typing that.
 
Robnoxious said:
OC Radio Geek said:
Robnoxious said:
Put Dr. D on the payroll KSWD.

That one hour was far too short.

I know man....they should totally hire him for Sunday nights!!!!

If you want to read something sad, read his bio on thesoundla.com/kmet page (I think the info was culled from Wiki). Dr. D is down to a scant 7 stations nationally and lost barter agreements so the Good Doctor is keeping most of everything afloat from his own pocket but still does what he loves, all the while not having his biggest loyal fan base able to hear him in Los Angeles. The Funny 5 is only done ONCE A MONTH now! :(

If Dr. D were given even just 2 hours every Sunday on The Sound, I'd be there rolling tape just like I did when I was 13. Dr. D IS Los Angeles, the land of fruits and nuts. I refuse to accept that Dr. D's time has passed on the radio waves. Everyone needs a bit of nonsense and laughter. It's cathartic.

.....especially on a Sunday night. Dr. D always made Monday morning easier.
 
We know what the deal was for the KMET 4. The big mystery is where was Paraquat? He was in so many of the classic tapes one almost had the illusion that he was there. Except he wasn't. He was heavily promoted, but his absence was hardly addressed.

We are left with a little intrigue. I do hope everything is alright.
 
While the 1.7 shares for KMET were reality when they left the air, like KHJ before them they were a shell of themselves by the time they left the air. KMET wasn't "all about the music" as The Sound tries to be; KMET was all about the listener. A lifestyle station. It was fun to listen to, and the DJs were allowed to do more than read liners. ANd they happened to play music ... A fish report today? No, sadly. Informing Southern California? No one does that any more.

If the Sam Bellamy version of KMET were to return, it would destroy KLOS, in my opinion, and it might bring AOR radio back from the grave. Dave Beasling and Bonneville should think hard about this. Maybe we could convince Bellamy to get involved.
 
rwagoner said:
While the 1.7 shares for KMET were reality when they left the air, like KHJ before them they were a shell of themselves by the time they left the air. KMET wasn't "all about the music" as The Sound tries to be; KMET was all about the listener. A lifestyle station. It was fun to listen to, and the DJs were allowed to do more than read liners. ANd they happened to play music ... A fish report today? No, sadly. Informing Southern California? No one does that any more.

If the Sam Bellamy version of KMET were to return, it would destroy KLOS, in my opinion, and it might bring AOR radio back from the grave. Dave Beasling and Bonneville should think hard about this. Maybe we could convince Bellamy to get involved.

I completely agree. KMET was fun to listen to because the DJs were so personable. They were like your best friends! In fact, every successful radio station over the years has had the same in common. KHJ had Boss Jocks like Don Steele and Robert W.......KRLA had Casey Kasem and Charlie O'Donnell......KIIS had Big Ron and Rick Dees.....etc. Today, there are not many radio stations who have great jocks or on-air personalities. Since everything is so corporate and all about the money, most stations don't have much talent.

Yes, KLOS would be in big trouble if KSWD adopted the old KMET philosophy and attitude. KLOS has gotten very complacent since they are basically an uncontested classic rock station in LA.
 
OC Radio Geek said:
rwagoner said:
While the 1.7 shares for KMET were reality when they left the air, like KHJ before them they were a shell of themselves by the time they left the air. KMET wasn't "all about the music" as The Sound tries to be; KMET was all about the listener. A lifestyle station. It was fun to listen to, and the DJs were allowed to do more than read liners. ANd they happened to play music ... A fish report today? No, sadly. Informing Southern California? No one does that any more.

If the Sam Bellamy version of KMET were to return, it would destroy KLOS, in my opinion, and it might bring AOR radio back from the grave. Dave Beasling and Bonneville should think hard about this. Maybe we could convince Bellamy to get involved.


I completely agree. KMET was fun to listen to because the DJs were so personable. They were like your best friends! In fact, every successful radio station over the years has had the same in common. KHJ had Boss Jocks like Don Steele and Robert W.......KRLA had Casey Kasem and Charlie O'Donnell......KIIS had Big Ron and Rick Dees.....etc. Today, there are not many radio stations who have great jocks or on-air personalities. Since everything is so corporate and all about the money, most stations don't have much talent.

Yes, KLOS would be in big trouble if KSWD adopted the old KMET philosophy and attitude. KLOS has gotten very complacent since they are basically an uncontested classic rock station in LA.

I would have to question how doing late 70's/early 80's personality rock would work in nearly 2010 in a PPM world.

A lot of that stuff worked in the diary. Not to mention the fact most of the KMET audience is now out of the 25-54 demo.

Part of the challenge KSWD and KLOS have now is that most of their audience is over 45.

JACK has really become the Classic Rock station for Los Angeles. It plays a good variety of rock hits popularized by KROQ, KLOS, and KMET. KROQ was the biggest station for the 80's decade, which is why they do so well 35-44.

KLOS drops considerably after 10am and generally ranks outside the top 15 in demo in the music dayparts.

I just really question the viability of AOR radio in PPM - it would likely be a very tough sell and wouldn't deliver enough 25-44 to be successful.
 
OC Radio Geek said:
Today, there are not many radio stations who have great jocks or on-air personalities. Since everything is so corporate and all about the money, most stations don't have much talent.

Ryan Seacrest, Mark & Brian, Kevin & Bean, Bill Handel, Gary Bryan, Big Boy, Piolin, Don Cheto, Omar and Argelia, Jaime & Ricardo, Shawn Parr, the new morning show with Kennedy on KYSR, Brian McKnight... all have talent and do what is appropriate within their formats... and I suspect all are nicely compensated.
 
OC Radio Geek said:
rwagoner said:
While the 1.7 shares for KMET were reality when they left the air, like KHJ before them they were a shell of themselves by the time they left the air. KMET wasn't "all about the music" as The Sound tries to be; KMET was all about the listener. A lifestyle station. It was fun to listen to, and the DJs were allowed to do more than read liners. ANd they happened to play music ... A fish report today? No, sadly. Informing Southern California? No one does that any more.

If the Sam Bellamy version of KMET were to return, it would destroy KLOS, in my opinion, and it might bring AOR radio back from the grave. Dave Beasling and Bonneville should think hard about this. Maybe we could convince Bellamy to get involved.

I completely agree. KMET was fun to listen to because the DJs were so personable. They were like your best friends! In fact, every successful radio station over the years has had the same in common. KHJ had Boss Jocks like Don Steele and Robert W.......KRLA had Casey Kasem and Charlie O'Donnell......KIIS had Big Ron and Rick Dees.....etc. Today, there are not many radio stations who have great jocks or on-air personalities. Since everything is so corporate and all about the money, most stations don't have much talent.

Yes, KLOS would be in big trouble if KSWD adopted the old KMET philosophy and attitude. KLOS has gotten very complacent since they are basically an uncontested classic rock station in LA.
how has the arrival of KSWD affected KLOS since the launch ratingswise?
 
DavidEduardo said:
OC Radio Geek said:
Today, there are not many radio stations who have great jocks or on-air personalities. Since everything is so corporate and all about the money, most stations don't have much talent.

Ryan Seacrest, Mark & Brian, Kevin & Bean, Bill Handel, Gary Bryan, Big Boy, Piolin, Don Cheto, Omar and Argelia, Jaime & Ricardo, Shawn Parr, the new morning show with Kennedy on KYSR, Brian McKnight... all have talent and do what is appropriate within their formats... and I suspect all are nicely compensated.

.....and those are all morning show jocks. I should have been more clear in my post above. I meant to say excluding morning show jocks. What about the rest of the day for radio stations? Where is the talent?
 
OC Radio Geek said:
DavidEduardo said:
OC Radio Geek said:
Today, there are not many radio stations who have great jocks or on-air personalities. Since everything is so corporate and all about the money, most stations don't have much talent.

Ryan Seacrest, Mark & Brian, Kevin & Bean, Bill Handel, Gary Bryan, Big Boy, Piolin, Don Cheto, Omar and Argelia, Jaime & Ricardo, Shawn Parr, the new morning show with Kennedy on KYSR, Brian McKnight... all have talent and do what is appropriate within their formats... and I suspect all are nicely compensated.

.....and those are all morning show jocks. I should have been more clear in my post above. I meant to say excluding morning show jocks. What about the rest of the day for radio stations? Where is the talent?

El Mandril - who does afternoons on KLAX usually has one of the if not the #1 ranked show in Los Angeles.

As a matter of fact, listening in mornings tends to be 3rd to middays and PM drive in a lot of PPM markets.

The days of winning the morning show and taking the whole day may well be over.

El Mandril drives a lot of the success of KLAX.
 
musicfan101 said:
OC Radio Geek said:
rwagoner said:
While the 1.7 shares for KMET were reality when they left the air, like KHJ before them they were a shell of themselves by the time they left the air. KMET wasn't "all about the music" as The Sound tries to be; KMET was all about the listener. A lifestyle station. It was fun to listen to, and the DJs were allowed to do more than read liners. ANd they happened to play music ... A fish report today? No, sadly. Informing Southern California? No one does that any more.

If the Sam Bellamy version of KMET were to return, it would destroy KLOS, in my opinion, and it might bring AOR radio back from the grave. Dave Beasling and Bonneville should think hard about this. Maybe we could convince Bellamy to get involved.

I completely agree. KMET was fun to listen to because the DJs were so personable. They were like your best friends! In fact, every successful radio station over the years has had the same in common. KHJ had Boss Jocks like Don Steele and Robert W.......KRLA had Casey Kasem and Charlie O'Donnell......KIIS had Big Ron and Rick Dees.....etc. Today, there are not many radio stations who have great jocks or on-air personalities. Since everything is so corporate and all about the money, most stations don't have much talent.

Yes, KLOS would be in big trouble if KSWD adopted the old KMET philosophy and attitude. KLOS has gotten very complacent since they are basically an uncontested classic rock station in LA.
how has the arrival of KSWD affected KLOS since the launch ratingswise?

It seems to have considering KLOS drops dramatically at 10am. The two appear to be sharing a very small non-ethnic 45-54 cell.
 
Radioresearcher said:
OC Radio Geek said:
DavidEduardo said:
OC Radio Geek said:
Today, there are not many radio stations who have great jocks or on-air personalities. Since everything is so corporate and all about the money, most stations don't have much talent.

Ryan Seacrest, Mark & Brian, Kevin & Bean, Bill Handel, Gary Bryan, Big Boy, Piolin, Don Cheto, Omar and Argelia, Jaime & Ricardo, Shawn Parr, the new morning show with Kennedy on KYSR, Brian McKnight... all have talent and do what is appropriate within their formats... and I suspect all are nicely compensated.

.....and those are all morning show jocks. I should have been more clear in my post above. I meant to say excluding morning show jocks. What about the rest of the day for radio stations? Where is the talent?

El Mandril - who does afternoons on KLAX usually has one of the if not the #1 ranked show in Los Angeles.

As a matter of fact, listening in mornings tends to be 3rd to middays and PM drive in a lot of PPM markets.

The days of winning the morning show and taking the whole day may well be over.

El Mandril drives a lot of the success of KLAX.

The morning show is starting to die....

Yes, I agree that El Mandril is the anchor of KLAX for sure. I, definitely, am not in their demo!
 
Radioresearcher said:
musicfan101 said:
OC Radio Geek said:
rwagoner said:
While the 1.7 shares for KMET were reality when they left the air, like KHJ before them they were a shell of themselves by the time they left the air. KMET wasn't "all about the music" as The Sound tries to be; KMET was all about the listener. A lifestyle station. It was fun to listen to, and the DJs were allowed to do more than read liners. ANd they happened to play music ... A fish report today? No, sadly. Informing Southern California? No one does that any more.

If the Sam Bellamy version of KMET were to return, it would destroy KLOS, in my opinion, and it might bring AOR radio back from the grave. Dave Beasling and Bonneville should think hard about this. Maybe we could convince Bellamy to get involved.

I completely agree. KMET was fun to listen to because the DJs were so personable. They were like your best friends! In fact, every successful radio station over the years has had the same in common. KHJ had Boss Jocks like Don Steele and Robert W.......KRLA had Casey Kasem and Charlie O'Donnell......KIIS had Big Ron and Rick Dees.....etc. Today, there are not many radio stations who have great jocks or on-air personalities. Since everything is so corporate and all about the money, most stations don't have much talent.

Yes, KLOS would be in big trouble if KSWD adopted the old KMET philosophy and attitude. KLOS has gotten very complacent since they are basically an uncontested classic rock station in LA.
how has the arrival of KSWD affected KLOS since the launch ratingswise?

It seems to have considering KLOS drops dramatically at 10am. The two appear to be sharing a very small non-ethnic 45-54 cell.

KLOS would be nothing without M&B.
 
OC Radio Geek said:
Radioresearcher said:
musicfan101 said:
OC Radio Geek said:
rwagoner said:
While the 1.7 shares for KMET were reality when they left the air, like KHJ before them they were a shell of themselves by the time they left the air. KMET wasn't "all about the music" as The Sound tries to be; KMET was all about the listener. A lifestyle station. It was fun to listen to, and the DJs were allowed to do more than read liners. ANd they happened to play music ... A fish report today? No, sadly. Informing Southern California? No one does that any more.

If the Sam Bellamy version of KMET were to return, it would destroy KLOS, in my opinion, and it might bring AOR radio back from the grave. Dave Beasling and Bonneville should think hard about this. Maybe we could convince Bellamy to get involved.

I completely agree. KMET was fun to listen to because the DJs were so personable. They were like your best friends! In fact, every successful radio station over the years has had the same in common. KHJ had Boss Jocks like Don Steele and Robert W.......KRLA had Casey Kasem and Charlie O'Donnell......KIIS had Big Ron and Rick Dees.....etc. Today, there are not many radio stations who have great jocks or on-air personalities. Since everything is so corporate and all about the money, most stations don't have much talent.

Yes, KLOS would be in big trouble if KSWD adopted the old KMET philosophy and attitude. KLOS has gotten very complacent since they are basically an uncontested classic rock station in LA.
how has the arrival of KSWD affected KLOS since the launch ratingswise?

It seems to have considering KLOS drops dramatically at 10am. The two appear to be sharing a very small non-ethnic 45-54 cell.

KLOS would be nothing without M&B.

And Glenn has said before that he thinks Classic Rock could be in trouble in L.A. There may be something to that as well - especially as the audience ages well over 50. IMHO, JACK is Classic Rock for L.A. - because of the KROQ influence in this market during the 80's and the 80's audience (35-44) is now the center of the money demo.
 
Status
This thread has been closed due to inactivity. You can create a new thread to discuss this topic.


Back
Top Bottom