purpledevil said:Kudos to turnpike on the compelling programming statement. If The Eagle would add the Motley Crues, Black Sabbaths and Guns N' Roses of the world and eliminate the Supertramp, Elton John, and Huey Lewis most of us wouldn't be as disappointed with this turn of events. The Eagle, to me, has always been The Arrow Lite. That really needs to change.
cowboybud said:And it's the SAME songs by the SAME artists.
Zeppelin - Stairway, Whole Lotta Love
ZZ Top - Gimme All Your Lovin, Sharp Dressed Man, Lagrange
Skynyrd - Freebird
Eagles - Hotel California, Life In The Fast Lane, that Joe Walsh song
etc. etc....the same stuff we've heard a million times.
Ryan Williams said:At this moment, there is no mention of 106.9 anywhere on the The Eagle's website. Yesterday there was a little announcement box with news of the simulcast, but now even that is gone. It's all 107.5. How bizarre.
purpledevil said:Ryan Williams said:At this moment, there is no mention of 106.9 anywhere on the The Eagle's website. Yesterday there was a little announcement box with news of the simulcast, but now even that is gone. It's all 107.5. How bizarre.
Add the RDS for 106.9 gone as well. Yesterday, it read "106 9 and 107 5 Houston's Eagle". Today, 106.9 has the same RDS as 107.5. Song title, artist, and followed by "The New 107-5 The Eagle". I figured this would happen eventually as 106.9 was not showing song information yesterday. I assume there will be a change to 106.9's RDS where it will read "106-9 The Eagle" as soon as someone notices that it was overlooked.
Fieldtech1 said:Heres a rough Longley-Rice approximation of the combined stations servicable coverage to the 50 dbu contour. Thats a huge coverage area.
MikeRichardson said:Fieldtech1 said:Heres a rough Longley-Rice approximation of the combined stations servicable coverage to the 50 dbu contour. Thats a huge coverage area.
Yeah, but look at how much of it is rural or water. Some 40% or so of 107.5 is water, and at least as much of 106.9 is rural (look how much of their signal alone is that, and they both seem to overlap a lot in the city. How many more people are going to tune in to either frequency now - people who didn't listen before because the signal was too poor? Looks to me like it just improves the signal for some northern suburban/rural areas. Maybe those areas have people more likely to tune in now - but are they going to get hundreds of thousands of BRAND NEW listeners out of this? I assume that 107.5's numbers will go down from people switching to 106.9 - and I assume no one who listened to The Zone will start listening to the 106.9 Eagle.
That's why this simulcast just doesn't make sense to me. Maybe for a temporary basis - maybe to hook some people in and then flip 107.5, but not on a long term basis.
charles123 said:MikeRichardson said:Fieldtech1 said:Heres a rough Longley-Rice approximation of the combined stations servicable coverage to the 50 dbu contour. Thats a huge coverage area.
Yeah, but look at how much of it is rural or water. Some 40% or so of 107.5 is water, and at least as much of 106.9 is rural (look how much of their signal alone is that, and they both seem to overlap a lot in the city. How many more people are going to tune in to either frequency now - people who didn't listen before because the signal was too poor? Looks to me like it just improves the signal for some northern suburban/rural areas. Maybe those areas have people more likely to tune in now - but are they going to get hundreds of thousands of BRAND NEW listeners out of this? I assume that 107.5's numbers will go down from people switching to 106.9 - and I assume no one who listened to The Zone will start listening to the 106.9 Eagle.
That's why this simulcast just doesn't make sense to me. Maybe for a temporary basis - maybe to hook some people in and then flip 107.5, but not on a long term basis.
It's stupid
Jay C said:from FMQB
Following the end of Cox Modern Rocker KHPT/Houston, night talent Katy Dempsey and weekender Michele Fisher segue for part-time duties at sister Country KKBQ, while former midday host Heather Converse is on the loose. PD Kevin Vargas is still on board until June 30, and would prefer to remain with Cox Radio and is exploring any and all internal opportunities.
and Kevin Vargas got hand-picked from Cox Orlando to run the Zone for less than 6 months. how do you think he feels?
what about Bobby Duncan?
I think getting rid of the Zone was bad. I didn't listen enough. At least they could have gone more after the Buzz before Cox pulled the plug.
mr.ric said:charles123 said:MikeRichardson said:Fieldtech1 said:Heres a rough Longley-Rice approximation of the combined stations servicable coverage to the 50 dbu contour. Thats a huge coverage area.
Yeah, but look at how much of it is rural or water. Some 40% or so of 107.5 is water, and at least as much of 106.9 is rural (look how much of their signal alone is that, and they both seem to overlap a lot in the city. How many more people are going to tune in to either frequency now - people who didn't listen before because the signal was too poor? Looks to me like it just improves the signal for some northern suburban/rural areas. Maybe those areas have people more likely to tune in now - but are they going to get hundreds of thousands of BRAND NEW listeners out of this? I assume that 107.5's numbers will go down from people switching to 106.9 - and I assume no one who listened to The Zone will start listening to the 106.9 Eagle.
That's why this simulcast just doesn't make sense to me. Maybe for a temporary basis - maybe to hook some people in and then flip 107.5, but not on a long term basis.
It's stupid
Yep, just like the sale of 106.9 to Univision and making it a spanish station.
sdh483 said:mr.ric said:charles123 said:MikeRichardson said:Fieldtech1 said:Heres a rough Longley-Rice approximation of the combined stations servicable coverage to the 50 dbu contour. Thats a huge coverage area.
Yeah, but look at how much of it is rural or water. Some 40% or so of 107.5 is water, and at least as much of 106.9 is rural (look how much of their signal alone is that, and they both seem to overlap a lot in the city. How many more people are going to tune in to either frequency now - people who didn't listen before because the signal was too poor? Looks to me like it just improves the signal for some northern suburban/rural areas. Maybe those areas have people more likely to tune in now - but are they going to get hundreds of thousands of BRAND NEW listeners out of this? I assume that 107.5's numbers will go down from people switching to 106.9 - and I assume no one who listened to The Zone will start listening to the 106.9 Eagle.
That's why this simulcast just doesn't make sense to me. Maybe for a temporary basis - maybe to hook some people in and then flip 107.5, but not on a long term basis.
It's stupid
Yep, just like the sale of 106.9 to Univision and making it a spanish station.
Cox DID NOT sell 106.9 to Univision nor is the signal going Spanish.
Troy Goodwin said:I thinks [Cox] Radio should've looked at Their Sister Station in San Antonio, KONO 101. KONO plays REAL Classic HITS-Like Elvis, The Beatles, Aretha, The Beach Boys, & Motown...
Robslater said:I have not posted on this site in years. Consider this an announcement I plan to contribute to discussions again with frequency. I recognize many of the Houston board members. A few of you will encounter my two cents for the first time.
I am later than Axl Rose pouting in his dressing room 20 minutes after he was scheduled to take the stage. My apologies for the tardiness of this thought.
To MikeRichardson: I never got "The Zone." It seemed like a pointless format (pun intended). I have been a loyal Buzz listener since the station's inception and tend to stick with 94.5 more than any other dial spot.
I scoped out the "new 1069" often and heard maybe five artists total not in the Buzz's rock/alternative rotation. Even then, given that I heard Cypress Hill and Gnarls Barkley in the last week, it wouldn't surprise me if Don Jantzen jammed some Billy Idol on the 4 o' Clock flashback.
Idol was one of the few artists not shared between the competitors. A few long-time alternative outlets across the country offer classic alternative or 90s-centric stations online. I am not familiar with other FM frequencies that carry a Zone-like format. Feel free to laugh at me if I am incorrect.
I heard heaping helpings of Matchbox 20 and Incubus hits. The Buzz already had that covered. The air talent was not packaged in a distinguishable fashion, and the Zone’s logo seemed stale and unimaginative. Kevin Vargas did a great job with KISS in San Antonio, but he accepted a no-win gig here.
Does the average “alternative” listener want a station that does not pimp new music and relies on an established catalog? I am certain there is an audience for that, but I have no idea if it’s big enough to support a major market frequency.
The Buzz’s presentation works because, as with all other modern rock outlets, the station mixes the 90s and 00s songs the casual listener knows with “new” offerings and deeper tracks. I do not work for Clear Channel. KTBZ isn’t perfect, but it sounds better than any other similar operation in Texas. I like checking out KISS, KDGE, maybe KEGL and KROX in spurts, but KTBZ mixes the broad range of rock material I liked better than those others.
The Zone seemed like a tacky imitation in some respects. A DJ and one of the recorded voiceover bits invited fans to gather at a pub near the “Jane’s Addiction concert.” That concert was Buzzfest. That cheap, borderline bush league promo inspired a few chuckles. Hey, please come to a bar in the Woodlands so we can hear/eavesdrop on a show produced by the city’s real alternative kings.
The lineups tend to suck now more than in the past (last fall notwithstanding), but Buzzfest is an established bi-annual event that has helped build the brand. How was The Zone supposed to compete with that?
It seemed from the start like a stunt doomed to fail. I agree with other posters that killing the concept after less than one year was silly. Trying to take down the known giant was even sillier.
I hate the band 10 Years and may begin to vomit if their vapid, uninspired music clogs the airwaves much longer. “Shoot it Out” was a passable hard rock anthem. I bring up that group as an example of the Buzz’s imperfection.
Rock and alternative listeners are so picky these days. Eventually, you’ll turn on 94.5 and hear something that makes you want bash your radio to pieces and start a conflagration. I have grown to love KTBZ again because I understand the vast, mixed audience it must serve. It does a damn good job of that.
I get the new Coldplay followed by Godsmack or System of a Down and then a Nirvana staple. On occasion, the station blares Bob Marley or House of Pain or something else that was prevalent on the dial at some point. Lots of macho stations do a “Mandatory Metallica” segment. The Buzz is the only one I’ve heard that will play anything from the band’s library (and I do mean anything).
The Zone did not deliver enough contrast for my taste. It often came across as the poorly conceived copycat or the envious sister, and the forays into 80s hits seemed too much like Point retreads. Why do that?
I blast 103.7 on my wimpy car stereo a lot because it offers something unique. The Buzz doesn’t play John Mayer, TV on the Radio or some of the pop-leaning stuff that KHJK does. I’m also cool with hearing the Stones and Stevie Ray every once in a while.
I fear that 103.7 will meet the axe because its signal blows and not enough potential listeners know about it. I told five people about “1037 FM” this week. None of them even knew there was a station at the 103.7 frequency. Most people who rock out to terrestrial radio do not scrutinize message boards enough to learn about new happenings.
Cumulus created a channel at a previously dark location, and I doubt enough people would make the switch or add that to the presets in time for ratings salvation.
That was more like two dollars, Mike, but I figured I should weigh in anyway.